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Ben Eisendrath

I've carried a camera my entire life.

Capturing what goes on around me was an instinct born of, then developed by my journalist father. Because of his assignments for TIME I was born in London, my brother in Paris, and we lived in Argentina while Dad covered the coup in Chilé; an adventure we nearly didn't escape. I was on a reporter's adventure before I could walk. To this day, "So when are you going?" is the parental response to any mention of a place not yet visited.

My father leads with his writing, while I put the image first. When the whole family went down in a small plane in Costa Rica, I grabbed my camera as soon as the doctors looked the other way and hobbled back to the wreckage, bandages still bloody. Once home to American hospitals, Dad wrote of near-death for The New York Times while I shared my crash site videos and images.

It could be just down the street on a Tuesday night, or 3,000 miles away. There's always something to be seen, and it's so often the unexpected.

Washington DC is my home when I'm home.

Ben Eisendrath

Recently published

Washington Post - Frozen in Silence

Johnny Martyr Photography - The George Floyd Protests, One Photographer


I primarily use Leica M cameras and lenses, both vintage and modern. Some say the gear doesn't matter. It does. A thoughtfully designed, tactile tool brings a joy in use that a cell phone or computer-forward machine simply does not. High design inspires. Though Ansel Adams is right in his quote "the most important part of the camera is the 12 inches behind it" , if you are able to create art with another piece of art, so much the better.

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1c crunched snajej

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